If you decide to use this scheme you need to have a vast amount of money and remarkable fortitude to walk away when you achieve a tiny win. For the purposes of this material, an example buy in of two thousand dollars is used.
The Horn Bet numbers are not always deemed the "winning way to compete" and the horn bet itself has a house advantage well over 12 %.
All you are betting is 5 dollars on the pass line and a single number from the horn. It doesn’t matter if it is a "craps" or "yo" as long as you wager it constantly. The Yo is more established with gamblers using this system for clear reasons.
Buy in for two thousand dollars when you sit down at the table however only put five dollars on the passline and $1 on one of the 2, 3, eleven, or 12. If it wins, beautiful, if it loses press to $2. If it loses again, press to four dollars and then to eight dollars, then to sixteen dollars and after that add a $1.00 each time. Each time you don’t win, bet the last wager plus another dollar.
Employing this approach, if for example after 15 rolls, the number you bet on (11) hasn’t been thrown, you really should walk away. However, this is what might develop.
On the tenth roll, you have a sum total of one hundred and twenty six dollars in the game and the YO finally hits, you come away with $315 with a take of one hundred and eighty nine dollars. Now is a perfect time to step away as it is higher than what you entered the game with.
If the YO does not hit until the 20th toss, you will have a total bet of $391 and seeing as current wager is at $31, you amass $465 with your profit being $74.
As you can see, adopting this approach with only a one dollar "press," your gain becomes smaller the more you play on without winning. That is why you should march away once you have won or you should wager a "full press" once more and then advance on with the one dollar boost with each toss.
Carefully go over the numbers before you attempt this so you are very adept at when this scheme becomes a non-winning affair instead of a winning one.